PIANO WEEK: What happens on a piano course?

Piano courses are becoming increasingly popular, and it’s not hard to see why. They afford students the opportunity to meet like-minded new friends, enjoy excellent tuition, fine food, and a mini ‘holiday’. If the course happens to be situated in a beautiful place, so much the better. For the last two weeks I have been…

New Piano Courses at Finchcocks

I’m very fortunate to love my work, and one particularly enjoyable aspect is the opportunity to direct piano courses and workshops. I’m writing this post whilst relaxing  in my accommodation in Shropshire (just a few miles from the Welsh border), where I’m working for two weeks at PIANO WEEK, an international piano festival and Summer…

Jackdaws Piano Course 2019

The Jackdaws Music Educational Trust instrumental and vocal courses are open for booking today! The 2018/19 programme offers more variety than ever, so there is sure to be something for everyone. The course venue, an attractive house in Somerset (pictured to the left), near Frome, contains excellent facilities, including a Steinway Model B piano, and several…

Weekend Competition: The Intermediate Pianist

Today’s weekend competition focuses on a new three-book piano course published by Faber Music. The Intermediate Pianist is intended for students and piano teachers tutoring students, from approximately Grades 3 – 5 level. Written by Karen Marshall and Heather Hammond, the course is designed to help students (and teachers) negotiate the intermediate stages of learning,…

Selecting & Practising Piano Exam Repertoire: ABRSM Grade 4

Today I am continuing my series on selected exam repertoire. I’ve chosen three complimentary pieces from the ABRSM Grade 4 list (taken from the main syllabus (shown to the left), as opposed to the alternative syllabus) and have offered five practice tips for each one, as well as a recording (taken from the many on…

Approaches to Staccato Playing

I’m a regular contributor to Piano Professional (the British European Piano Teachers Association (EPTA) magazine); I really enjoy writing for this publication, which focuses on providing piano teachers with helpful information. The following article was written for Issue 43 (published earlier this year), and examines various approaches to staccato. I hope it’s of interest. When…

Selecting & Practising Piano Exam Repertoire: Trinity College London Grade 3

I’ve been enjoying selecting repertoire for this current series on my blog. I’m not so familiar with Trinity College London exams; my students generally take ABRSM examinations, with the exception of a few of my diploma students (I like Trinity’s more varied repertoire at this level, particularly for Contemporary music). Grade 3 provides an interesting…

Selecting & Practising Piano Exam Repertoire: ABRSM Grade 3

Selecting and practising piano exam repertoire continues today with ABRSM Grade 3. I’m selecting contrasting works or those which sit well together, thereby producing an interesting programme. This element should not be underestimated; examiners are pleased to hear all the repertoire on set lists, but for the student, who might spend a good few months…

Selecting & Practising Piano Exam Repertoire: ABRSM Grade 2

Continuing my series on selecting and practising piano exam repertoire, today we  move on to ABRSM Grade 2. I’ve chosen three works (one from each of lists A, B & C) which are hopefully complimentary, offering a balanced exam programme, with five practice tips for every piece. As always, selections come from the standard exam…