A Master Class with Jonathan Biss

It’s time for a master class. I haven’t posted one for a while, but we can learn so much from observing the classes of others, and I enjoy highlighting public lessons for this reason.

To complement his series of concerts at Carnegie Hall in 2017, devoted to the late style, Amercian pianist Jonathan Biss gave two public master classes to six young artists on the late solo works of Beethoven, Brahms, and Schubert. They took place in February 2017 at the Weill Music Room in New York. The following videos represent three of the classes recorded and I hope you enjoy them.




My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

A masterclass with Stephen Hough

I recently discovered this interesting selection of videos (which appear on YouTube) highlighting masterclasses given by eminent British pianist Stephen Hough. They were recorded in last year (2016) at the Aspen Music Festival and School in the USA.

Featuring a wide range of standard repertoire (Including Reflect dans l’eau by Debussy (Images Book 1), the third and fourth movement of Sonata No. 2 in B flat minor Op. 35 by Chopin, and first movement of Sonata in A flat major Op. 110 by Beethoven), they are performed by students at the school. As so often found when observing public classes, there is much to learn and absorb from each one. I hope you enjoy them.





My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

Yuja Wang’s master class debut

As many will know, I enjoy highlighting master classes. Public ‘lessons’ can be beneficial and interesting for many reasons, whether for teachers, students or anyone who loves the piano. Most of those previously featured here on my blog have been given by pedagogues or more ‘mature’ artists, but the following videos offer something different; a brief but fascinating insight into the piano world of Chinese star, Yuja Wang.

Uploaded in January this year, these classes were filmed at the Buchmann-Mehta School of Music in Tel Aviv, Israel. All three videos are substantial ‘lessons’ and there’s much to glean from Yuja Wang; this is apparently her ‘master class’ debut too.




My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

A master class with Garrick Ohlsson

I’ve been working in Germany over the weekend, tutoring a bilingual piano workshop near Düsseldorf, so I thought it appropriate to highlight a master class today.

Gelsenkirchen is a city in the North Rhine-Westphalia state of Germany, and I’ve been visiting a couple of times a year since 2014, providing free piano classes to those who would not normally have such an opportunity. I love this concept and am very grateful to Kery Felske (director of IKM Gelsenkirchen) and our sponsors for their unwavering support, enabling the possibility to continue this important work.

The class always consists of a variety of levels and abilities (and age ranges!), from complete beginners to advanced players (probably to a standard comparable to UK diploma level), and this weekend focused on those who hadn’t played much before, although there was one intermediate to advanced level pianist. Classes are held in English, and for the younger participants this can seem somewhat daunting, but it hasn’t proved problematic as yet.

The value of an ‘open piano lesson’, which is ultimately what a master class or workshop is, cannot be underestimated; it presents a chance to observe a variety of musical and technical issues. Solving such challenges can be of benefit to everyone and therein lies its beauty. Hopefully, those who attended our two-day event found it useful, and will be encouraged to further develop their playing.

The following master class was given by leading American pianist Garrick Ohlsson and features Chopin’s Etude in A minor (‘Winter Wind’) Op. 25 No. 11 played by Netanel Grinshtein and recorded at The Jerusalem Music Centre last year.

As always, there’s much to enjoy in this class and I hope you find it of interest:


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

A master class with Andrei Gavrilov

I hope you all had a wonderful Christmas. As we say goodbye to 2015, I’m posting this master class given by Russian pianist Andrei Gavrilov. I interviewed Gavrilov in 2013 and his interview is one of the most fascinating of all my 40 filmed interviews with eminent classical pianists (you can view them all here).

This master class was recorded in Glasgow at the Piano Festival in 2014 and I hope you find it interesting.


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.

 


 

A Master class with Jean-Efflam Bavouzet

Today’s post highlights an interesting chamber music master class given by French pianist Jean-Efflam Bavouzet. It was recorded live from the Daniel & Joanna S. Rose Studio at the Lincoln Center in New York on October 19th, 2015, and has been published by the Chamber Music Society of Lincoln Center. The class features students from Yale School of Music, Manhattan School of Music and the Juilliard School.


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.

 


 

A master class with Jerome Lowenthal

Today’s post features a master class which I hope will be of interest. Jerome Lowenthal is an American classical pianist and noted pedagogue. He is a member of the piano faculty at the Juilliard School in New York, where he was also chair of the piano department. Additionally, he is on the faculty at Music Academy of the West in Santa Barbara, California (where this master class took place in June 2015).

It’s fascinating to watch public classes, and so much can be absorbed from observing great teachers. Enjoy!


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.

 


 

A Master Class with Leon Fleisher

I’m off to Germany today for a weekend of piano workshops, so thought it appropriate for my Friday post to feature this master class given by American pianist, conductor and master teacher Leon Fleisher. It was recorded at the Music Academy of the West’s Summer Festival in July this year.

After becoming the first American to win the Queen Elisabeth of Belgium Competition in Brussels in 1952, Leon Fleisher has enjoyed a glittering concert career, despite suffering a debilitating condition of his right hand, later diagnosed as focal dystonia, a neurological condition that causes the fingers to curl into the palm of the hand. He teaches at Peabody Conservatory of Music, the Curtis Institute of Music, and the Royal Conservatory of Music in Toronto, and regularly gives master classes around the world. I hope you enjoy it.


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


Bilingual Piano Workshops in Germany

I enjoyed another wonderful time in Germany over the weekend, and love being part of a bilingual piano project, organised by singer Kery Felske, and supported by the IKM Gelsenkirchen (in the Ruhr region). The workshop concept is becoming increasingly popular, with classes running all day on Saturday and Sunday. Young (and older) pianists are now coming from further afield, from various backgrounds, and from all age groups too. Anyone can come and play, irrespective of standard or ability, and it’s always interesting to witness the improvement made by the participants; both during the weekend and over the months between classes. Several pupils have come to every workshop thus far.

Saturday’s session (which lasted around five hours), included some technical work, namely Czerny exercises and some scales. British exam boards are not popular in Germany, and some students weren’t familiar with scales, but it wasn’t long before my group digested the various keys and fingerings (the Grillo Gymnasium, where classes are held,  is equipped with several practice rooms on site, allowing pupils to work on their own). Participants practiced between classes on Saturday and Sunday, and progress was most impressive.

After a further all day session on Sunday, we host a late afternoon concert for family and friends, although classes are also open to the public. The concert provides a platform for every student, and it motivates them to work that much harder, because they know their efforts will be on display. I’m perpetually concerned as to whether two days is really enough to substantially make a difference to a pupil’s playing, but each student has risen to the challenge beautifully.

Repertoire ranged from C.P.E Bach’s Solfeggietto H.220 and Burgmüller’s L’Orage Op.109 No. 13, to Mozart’s Sonata K. 331 in A major, and Waltz in B minor Op. 69 No. 2 by Chopin. Pupils generally present standard repertoire, but I’m looking forward to eventually hearing some Contemporary music!

All classes are conducted in English, posing few problems for young German pianists. Several more workshops are planned for 2015, as well as a Summer Piano Course in 2016. The IKM Gelsenkirchen are involved with a variety of musical events, from pop and rock concerts, through to classical recitals. They stoically represent German commitment to culture and the arts, and I’m very grateful for their interest in this project.

www.ikm-ge.de 

Pic 2 Germany

Working on a Mozart Sonata with one of my students: Photo by Kery Felske

My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


Master Classes in Gelsenkirchen

I had the great pleasure of giving master classes and workshops recently in Germany. The town of Gelsenkirchen (around a thirty minute drive from Düsseldorf) provided the backdrop for a weekend of intensive piano playing. Seven students had signed up for coaching over a period of two days which culminated in a little concert late Sunday afternoon. The classes were held at the Grillo-Gymnasium, although the pupils came from various schools in Gelsenkirchen. I also taught a further six students towards the end of my visit who were all pupils at this particular school.

Our venue, the school hall, housed a large Yamaha grand piano. A small audience was present during each class, which grew substantially for the concert, perhaps indicating the interest and demand for piano classes within this area. You can see us in action by clicking on the video link below, which shows short excerpts of a few classes.

I was invited to be involved in this venture by Kery Felske, a singer, who works tirelessly promoting and organising artistic events in Gelsenkirchen and beyond. This concept is very much a community project; many of these students are self-taught or have occasional piano lessons. With this in mind, it’s quite an achievement to play at all, especially after such little preparation and practical help.

We worked on many different aspects of piano playing from the pupil’s chosen pieces (everything from pop tunes to a Chopin Waltz), to exercises and scales (and as will be evident from the video, some pupils had never played scales before). Each student had two individual lessons albeit in public and in English (this is a bilingual school), followed by several opportunities to practice in between lessons in the practice rooms provided. This was all quite a challenge for the pupils, and one which they met beautifully. There is no doubt that everyone had improved considerably from the first lesson to the concert performance, but sadly you will have to take my word on this, as the film doesn’t include any concert clips!

www.ikm-ge.de


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.