Andrei Gavrilov gives masterclasses in the UK

Andrei Gavrilov, the distinguished International concert pianist, is visiting the UK next month to give a series of masterclasses.  All pianists are welcome to attend and/or perform in these exciting events, which are being held in the West Country at the end of November and beginning of December. Pianists, piano ensembles, piano teachers and students (of a high standard), amateur or professional, are very welcome…

Structuring Your Piano Practice

This week’s piano post has been suggested by many of you; ‘structured practice for the more advanced pianist’ has been whirling around my inbox recently. I have written about it several times for beginners, but it does take on a different mantle for those of you who have clearly passed that stage. Piano practice has frequently…

Why write on the score?

A piano score is a ‘sacred’ book. Many pianists are immensely attached to their scores and feel they couldn’t possibly work from another copy. Once bought and used, scores are associated with memories, emotions, special concerts, recitals and performance venues, and even correspond to particular periods of our lives. They have significance, and are generally covered with markings too. These pencil…

Guest Post: Are you all fingers and thumbs?

Piano summer schools are a great way to enjoy an intense learning experience and there are a fair few to choose from around the UK and abroad too. So in my guest post today,  concert pianist and teacher Christine Stevenson talks about the Walsall Piano Summer School, where she has been coaching for many years. Over to Christine….

More Memorising tips

I had some interesting responses to the post I wrote a few days ago dealing with memorisation (which you can read here). It was suggested that I should also focus on what happens when memory fails – i.e. a memory slip! So here are my thoughts on this incredibly stressful event in any pianists life. Memory…

Memorising your piano pieces

‘Who developed the concept of playing from memory?’ This question is pursued on the lips of  many piano pupils, conservatoire students, and professionals. Memorising a work  (playing without the score or committing a work to your memory) certainly puts an extra strain on an artist. Every note must be meticulously rehearsed and learned to the point of distraction (or might…

The Joys of the Parent Pupil.

The new term brings fresh challenges and new pupils for many music teachers. One interesting group of prospective students is parent pupils.  A parent will  occasionally announce that they wish to start playing the piano alongside their child. There are many reasons for this; it may be that they want to keep an eye on…

Help I can’t sing! – Aural Tests

As the music exam period is almost upon us I thought I would look at one of the most neglected areas of any piano exam – Aural Tests. It’s easy to go along to your lesson every week and focus on your pieces, scales and sight reading (although sight reading is another neglected area too) and…