Play it again: PIANO Book 1 & Book 2
Play it again: PIANO is a two-book piano course published by Schott Music. Intended for those returning to piano playing after a break, the course would also be useful for any teenage or adult piano student requiring a selection of progressive piano pieces to either study alone or whilst working with a teacher (piano teachers have found these volumes useful too).
Book 1 features twenty-eight selected pieces from approximately Grade 1 – 4/5 standard. Each section contains seven piano pieces, and they are categorised as Elementary (Grade 1 – 2 level), Late Elementary (Grade 2 – 3), Early Intermediate (Grade 3 – 4), and Intermediate (Grade 4 – 5). Book 2 features twenty-one pieces from Grade 5 – 8 +). In Book 2 the first two sections, Late Intermediate (Grade 5 – 6) and Early Advanced (Grade 6 – 7), contain six pieces, and the final sections, Advanced (Grade 7 – 8) and Late Advanced (Grade 8 and above), contain five and four pieces respectively.
I have included a huge array of genres from Baroque music through to rock, jazz and improvisation, mostly selected from standard repertoire; each level includes an arrangement and a technical study. Every piece has approximately two pages of practice tips and suggestions, with photos, diagrams and musical examples. You can find out more, purchase copies and watch taster videos here. The books can also be purchased on Amazon and throughout many online outlets, as well as in shops around the world.
‘These books are well-presented and contain plenty of sound and helpful advice for restarters. Recommended.’
Pianist Magazine (November 2017)
‘The content is insightful and engaging for adults who are independent learners. Teachers could use this collection as a model for how to systematically guide learners to independently apply appropriate practice techniques. Spanswick’s approachable and methodical tone is appealing and emphasizes musicianship.’
The American Music Teacher Journal (April/May 2018)
‘Melanie Spanswick’s Play it again: Piano in my view exactly hits the spot for these players, and deserves to be a huge success both for her and Schott Music.
It is abundantly clear that a huge amount of thought, work and expertise has gone into each and every element of these superb books, and it’s all paid off handsomely: Play it again: Piano is simply one of the most brilliantly conceived and stunningly produced sheet music publications of recent years.
I write lots of reviews for the benefit of readers, but this inspiring series has passed the ultimate test: I will certainly be recommending and using these books with lots of my own students in the coming months and years, and I’m really looking forward to it!’
Pianodao.com blog (September 2017)
‘What I really like, and as a teacher am grateful for, are the practical and straightforward tips at the start of the books and then preceding each piece. This enables the pianist to be independent and steers the teacher in the right direction. Highly Recommended!‘
Music Teacher Magazine (November 2017)
The Faber Music Piano Anthology
This anthology, published by Faber (October 2016) consists of 78 pieces taking pianists from approximately Grade 2 ABRSM (elementary level) to Grade 8 (advanced). I selected works from Faber’s extensive catalogue that I hope players of all levels and abilities will enjoy. A collection of core repertoire from many great composers, is presented in progressive order and contains famous works by well-known composers, as well as plenty lesser known gems. Presented in a luxury hardback edition featuring high-quality premium paper, page finder ribbon and ‘The Concerto’ linocut cover image by Cyril Edward Power, this volume would be the ideal gift for the keen pianist. Find out more and purchase here.
‘Melanie Spanswick brings together a delicious collection of short pieces carefully chosen according to progressive level, variety and concision, but happily non-dependent on exam syllabuses. For those who need new choices for practising and sometimes feel a bit daunted by the quantity of options, and unsure of their difficulty, it helps to solve the problem in one easy package.’
Jessica Duchen’s Classical Music Blog (recommended as one of the Top 12 Books for Music Lovers 2016)
‘Melanie Spanswick is a pianist, teacher and composer well qualified to make this selection. Teachers will love having all these pieces in one book, young pianists will be inspired by it, and it could give returning adult players a renewed love for the instrument. ‘
Music Teacher Magazine (January 2017)
‘Overall, this is definitely a collection to cherish! The Faber Music Piano Anthology contains a fabulous variety of great music, beautifully presented. It not only represents a rather wonderful Christmas gift, but will surely stand the test of time to become a treasured source of pleasure and piano-playing enrichment. A truly outstanding publication!’
Pianodao blog (November 2016)
So You Want To Play The Piano?
This book is intended for prospective piano students everywhere (as well as those who already play!). It contains plenty of information about how to start playing; what instrument to acquire, how to select a teacher, piano books or methods, tips about posture, basic piano technique and how to practice and prepare for piano exams. There is also a chapter surveying music throughout the ages, with lists of composers and suitable piano music for beginners up to intermediate level. So You Want To Play The Piano? has recently been revised, expanded and republished in a second edition by Alfred Music (October 2015), and you can buy your copy here
‘What Spanswick has managed to produce is a concentrated tour-de-force that teachers can distribute to all their new piano students and supporting family members. Beginning with a succinct explanation of why the piano is worth learning to play, it continues with a whistle stop survey and explanation of virtually everything that teachers need to clarify with their students and supporters! Thus there are chapters on the importance of owning a piano, types of teacherpiano methods. Progress ,basic principles of technique, exams, festivals and repertoire. I would suggest too that Spanswick’s book is excellent. As a concentrated basic text book for new and inexperienced teachers. It provides the first steps for further research and study, opening out pathways for future travel not only in the elegantly written text, but also in the concluding lists of recommended publications and websites.
A great reference book – and one that should always be placed at the ready for use in conversations with students and their parents!’
Murray McLachlan, Piano Professional, EPTA; European Piano Teachers Association (Spring 2018).
‘This is an excellent book, a first-class introduction and guide to those wishing to learn the piano, full of sensible and practical advice and very well written by an experienced pianist and teacher.’
Musical Opinion (2014)
‘This is an excellent book for anyone who is interested in piano lessons for themselves or a family member. It is extremely comprehensive and includes everything you could possibly want to know about piano lessons. I don’t think I’ve ever seen a book quite like this, and anyone considering piano lessons should use this book as a resource.’
Susan Paradis, Leading US Music Educational Writer and Teacher (2015)
Piano Waves (published in February 2016) consists of 5 piano pieces intended for the intermediate student (Grades 4-6 level ABRSM). They were inspired by the sea, and contain a hint of minimalism. Find out more and listen to the pieces here and purchase here.
‘This collection presents an inspirational, minimalist pianistic array of a mysterious & atmospheric underwater world. All would make lovely concert and festival pieces, providing pianists with a wonderful opportunity for expression, beautiful tone and colour. My favourite is ‘Waltz On A Sunken Ship’.’
British composer and educator, Heather Hammond
Digressions consists of 5 piano pieces intended for those of intermediate level (Grades 4-6 ABRSM standard). They are Minimalist and cinematic in style, are tuneful and comfortable to play and are published by EVC Music Publications (May 2015). You can listen to each piece and purchase them here.
‘The lyricism of Karma and dramatic nature of Digression, in particular, should appeal; the pianistic writing also promotes technical development’.
Publications to which I’ve contributed:
The London College of Music Examination Syllabus 2018 – 2020
I have co-written the performance notes for the new piano examinations syllabus for 2018 – 2020. My contribution includes writing practice notes for many of the pieces from Grades 1 – 6 level. These afford a few helpful musical and technical practice ideas (all of which are printed alongside the musical score) for studying the pieces. The notes have been written by four different piano specialists, and you can find out more here.
Written by British pianist, teacher, composer and adjudicator Mark Tanner, and published by Faber (September 2016), and one of several books in EPTA’S Piano Professional Series, this helpful volume quotes 25 respected pianists and pedagogues regarding different aspects of mindful piano playing, to which I contributed a paragraph. You can find out much more about this excellent publication and purchase it here.
Piano Notes Series 2015/6 (published by Rhinegold in January 2015) and Piano Notes 2017/18 (published in January 2017), are designed to assist teachers preparing students for ABRSM piano exams. They are comprehensive notes providing information about how to study and what to look for in each exam piece (as well as all the alternative pieces too). They have been written by five piano teaching experts. I wrote the majority of the notes for Grade 1 – 3 for the 2015/6 notes and all Grade 1 – 6 list C pieces for the 2017/8 notes. Find out more here.