Earlier this year I visited Gelsenkirchen (near Düsseldorf), in Germany, to give master classes and workshops, and last weekend I enjoyed a second visit. The classes form part of a community piano project, established and organised by Kery Felske and the wonderful organisation, IkM-Ge e. V (The Interest group of Cultural working Musicians). Kery (who is a singer), works tirelessly, arranging many cultural events in the region, promoting a whole variety of artistic projects. During the weekend, I asked Kery to write a little about this organisation, explaining its objectives and ideas:
‘Since 1997 the Interest group of Cultural working Musicians (IkM-Ge e. V.) in the Ruhr Area in Germany, regularly organises and manages practice rooms, venues, events and workshops for the free artistic and musical scene. The association has the aim to realise conceptions supporting cultural life and its growth with a special view to newcomers, transregional networking and keeping musical events and qualification achievable for everyone while engaging for fair payment of professional performance in the cultural field. Those aims already appear in the non-commercial background of this community whose members do most of their work as volunteers in their leisure time. The wide range of their projects runs from monthly local rock concerts in our own venue, crossover workshops and events of art and music of different styles and genres, a yearly three-days open air event with two stages and thirty bands up to international co-operations with the classical scene and all in between. Diversity is an important aspect of the work of the IkM-Ge. A lot of idealism and enthusiasm is needed to do this job successfully. Since 2005 they run a practice centre (Consol4) with 39 rooms; since 2013 they have their own venue in the same old mine building equipped with PA, stage lighting and an over 100-year-old Bechstein grand piano. But the IkM-Ge uses a lot of other venues around depending on the character of the event and cooperation. Since 2013 as organization structures of the practice rooms, the venue and external events are established, the association started to create more supportive projects around qualification for musicians. In 2014 international workshops especially the classical piano masterclasses with Melanie Spanswick enriched our programme.’
Consol4, the practice centre in Gelsenkirchen (image link)
I’m delighted to be a part of this programme, and will be visiting Gelsenkirchen more frequently in 2015. My classes are generally held at the Grillo Gymnasium in the city centre, and are intended to help those who may not be able to attend regular piano lessons. We work for a period of two days and all workshops are public. Each student receives one to one coaching (in English) and also has the opportunity to use the practise facilities at the school. The lessons are followed by a concert at the end of the weekend, where we all perform (including me!) and introduce our pieces.
A variety of ages and abilities were invited to participate, and the improvement after a couple of days of intensive lessons was considerable. Students presented a wide range of works from Bach and Chopin, through to Denes Agay and Housman. An open class affords the opportunity to learn from others; whether a relative beginner or advanced player, there is always more to assimilate. It’s a pleasure to work with such attentive and dedicated pupils, and I look forward to many more German weekends.
With Kery Felske (in the middle) and some of the students.