Contemporary piano music?

I was recently asked to name some late 20th and 21st century piano pieces suitable to play for diploma exams (some boards such as Trinity allow candidates to submit own choice pieces). On examining the diploma syllabus  I was struck by how little contemporary music was included – and by contemporary I mean music of today. I am not talking about composers such as Charles Ives, John Cage, and Stockhausen, because whilst they are all great, they are not viewed as cutting edge anymore.

I then realised how little contemporary piano music I knew! I was horrified as I do really enjoy listening to new music and I frequently review it. Contemporary music is vital if classical music is to survive and grow.

So I decided to delve a little deeper and discover just what  living composers have to offer in terms of piano music. I should say right here and now that this list is certainly not exhaustive – it is a work in progress. Here are my musings so far…….

Elliot Carter (1908 – 2012) is American and over 100 but he is still a busy composer. His music from 1950 onwards is typically atonal and rhythmically complex, indicated by the invention of the term metric modulation to describe the frequent, precise tempo changes found in his work. Here’s a selection of recent piano works: Retrouvailles (2000), Intermittences (2005), Tri -Tribute (2005-6)

Harrison Birtwistle (1934 -) is a British composer and his music is complex, written in a modernistic manner with a clear, distinctive voice. Piano works include: Harrison’s Clocks (1997-8), Ostinato with Melody (2000), and Saraband (2001).

Arvo Pärt (1935 -) is an Estonian composer. He works in a minimalist style that employs his own self-invented compositional technique, tintinnabuli. His music also takes inspiration from Gregorian chant. I find his music moving and strangely beautiful. Here are a few piano pieces to look out for: Fur Alina (1976) and For Anna Maria (2006).

Steve Reich (1936 – ) is an American composer who was one of the pioneering composers of minimal music. Reich’s style of composition influenced many other composers and musical groups. He has been described, in The Guardian, as one of “a handful of living composers who can legitimately claim to have altered the direction of musical history”. Reich has written a lot of music for multiple pianos (notably recorded by the wonderful Piano Circus) but his work Piano Phase (for two pianos) has been performed and recorded on one piano.

John Tavener (1944 – 2013) is a British composer known for his religious, minimalist choral music. Taverner was influenced by Messiaen and Arvo Pärt (amongst others) and this is immediately obvious on hearing his works – there is a real spiritual quality present in his sound. Here are some piano pieces: Palin (1977), Ypakoe II (1997), Mandoodles (1982) and In Memory of Two Cats (1986).

John Zorn (1953 -) is an American composer who draws upon his long experience in classical, jazz, rock, punk, and klezmer music. A leader of the “downtown” music scene centered around the Lower East Side of New York City,  Zorn feels most connected to the tradition of the avant garde . Piano works include the highly innovative Carny (1989).

Judith Weir (1954 -) is a British composer and her musical language is fairly conservative in its mechanic, with a “knack of making simple musical ideas appear freshly mysterious.” She is known for operatic and choral works but has also written some solo piano pieces: The King of France (1993) Roll Off the Ragged Rocks of Sin (1992) and I’ve turned the Page (2007),

David Lang (1957-) is an American composer and his music is described as post-minimalist or totalist. He recently ran a piano competition featuring the performance of one of his works via YouTube offering the winner a chance to go to New York to perform it. Here are a few of his piano works: Boy (2001), Broken Door (1997), Memory Pieces (1992-1997) and Wed (1992-1997).

Oliver Knussen (1952 -) is British and is one of the most respected composers of his generation. I love his brittle, yet expressive style. His piano pieces are really worth exploring: Sonya’s Lullaby (1978), Variations for Piano (1989), Prayer’s Bell Sketch (1997) and Ophelia’s Last Dance (2010).

James MacMillan (1959 -) is a British composer whose music is infused with the spiritual and the political. He has written a whole myriad of piano works: Angel (1993), Birthday Present (1997), A cecilian Variation for JFK (1991), Piano Sonata (1985) and Walfrid, on his Arrival at the Gates of Paradise (2008).

Julian Anderson (1967 – ) is a highly respected British composer whose music is influenced by the folk music of  Lithuanian, Polish and Romanian traditions–and also by the modality of Indian ragas. Piano works include the Piano Etudes Nos. 1-3 (1998).

Roxanna Panufnik (1968 -) is a British composer and is the daughter of composer and conductor Sir Andrzej Panufnik. She has written a wide range of pieces including opera, ballet, music theatre, choral works, chamber compositions and music for film and television which are regularly performed all over the world. Piano Piece: Second Home (2003).

 Thomas Adès (1971- )is a British composer. His complex yet appealing music exhibits a flair for drama, humor, and personal expression, and is notable for the creative use of instrumental color. He has written many piano works including: Still Sorrowing (1991-2), Traced Overhead (1995-6), Under Hamelin Hill (1992), and Darknesse Visible (1992).

 Tansy Davies (1973 -) is a British composer. Her music is informed by the worlds of the classical avant-garde, funk and experimental rock. Piano work: Loopholes and Lynchpins (2001).

Emily Hall (1978 -) is a British composer known for writing classical music, electronica and songs. Heavily influenced by folk music, Emily’s piano piece, No Currency was written in 2006.

Charlotte Bray (1982 -) is another British composer. She judged the 2012 Young Musician of the Year Competition. and has been described as an ‘outstanding talent’. She has won numerous prizes for her work. Her piano piece off the rails was written in 2005.

I realise that I have only merely scratched the surface here – and it’s been most enlightening. I will be returning to this vast topic soon. Meanwhile if you have any other suggestions of either piano works or composers to add to this list then please let me know.

Here are a few YouTube clips of some of the mentioned works:


My publications:

For much more information about how to practice piano repertoire, take a look at my two-book piano course, Play it again: PIANO (Schott). Covering a huge array of styles and genres, 49 progressive pieces from approximately Grade 1 – 8 level are featured, with at least two pages of practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


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6 thoughts on “Contemporary piano music?

  1. Check out the wonderful compilation of contemporary British piano piece called ‘Spectrum’, ed. Thalia Myers, ABRSM

    • Hi Jonathan,
      Lovely to hear from you. What a great idea – I had completely forgotten that wonderful volume. Thank you for that. Meant to tell you too that I have been accepted at Royal Holloway to study for my PhD with Katharine Ellis as my supervisor – thank you for your excellent advice 🙂

  2. Hi Melanie! My name is Ezra and I’m a young professional composer and pianist based in the United States. I am familiar with many of the composers you name above, although there are a few names I don’t know and I look forward to checking them out! If you are interested in contemporary piano music, I can direct you to my website http://www.ezradonnercomposer.com, where I am offering free downloads of some of my recent music (2009-2011)–I’d love to know what you think if you get a chance! Thanks for the post and I look forward to reading more.

  3. Pingback: Sonya’s Lullaby Op. 16 by Oliver Knussen | The Classical Piano and Music Education Blog

  4. Hello, I am also a contemporary composer but I do not believe there is anything more to invent musically without it becoming absurd and non-musical. I mean let’s be honest, for muisc to remain music in it’s traditional sense which is harmonic and melodic has it’s boundaries. Beyond these boudaries lies atonality, disinence, minimalism all this which I think is not music at all but someone trying to re-invent the wheel.
    As far as Piano music is concerned it came to a peak with Chopin, Schumann, Beethoven, Brahms, and after these composers died other came in with an axe and tried to invent something musical proclaming it to be something new or more modern.
    You ask any listener or concert goer which composers they prefer and it is not Vine ot Cage ot Shoenberg. The reason most piano players don’t know of 21st century composers is because their music is so damn stupid. Why would you bother with it. So they play Chopin instead who by the way is still the worlds most favourite piano composer, and why? because it’s REAL MUSIC.
    I don’t believe that using modern technology and visual arts to aid in new music is of any value. Music must come from the soul and the soul talks in melody and harmony.
    I have released some of my compositions as scores and some mp3 recordings you can visit my website – http://www.robinlamott.com

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