Students often find the concept of tension breaks challenging. What do I mean by this expression? Most pianists understand the idea of tension and release; we need a certain amount of tension in our bodies to play a note or a group of notes, but the second (or millisecond) the note or notes have been…
Tag: Tricky Corners
Tricky Corners: Lateral Arm & Wrist Movement
My previous ‘Tricky Corners’ article focused on finger articulation, specifically relating to Chopin’s Étude in F major Op. 10 No. 8, a study on which I was working with a student. You can read it here. Today’s post examines this magnificent piece a little further, taking into consideration possibly one of the more challenging passages…
Tricky Corners: Wrist Circles & Finger Articulation
Speed isn’t always synonymous with clarity. My work as an adjudicator can testify to the fact that’s it’s quite common to hear semiquaver (or demisemiquaver) passages played in a ‘garbled’, unstable, or just plain unrhythmical, manner; either too fast, with the tendency to rush through technically challenging sections resulting in the inevitable slips, errors and…
Tricky Corners: Fourth and Fifth Fingers in Chords
Today’s ‘Tricky Corner’ examines those pesky fourth and fifth fingers in chords. A student recently studied the Praeludium from Ludas Tonalis by Hindemith. This delightfully contemplative piece presents a few technical challenges, not least the opening introduction, which must sound improvisatory, and the subsequent Moderato passage (from bar 4), with its copious demisemiquaver figurations. None…
Tricky Corners: The Opening Phrase
I’ve been working with a student on Franz Joseph Haydn’s beautiful Sonata in E flat major Hob 52. Haydn’s final piano sonata was written in 1794, and it’s full of joie de vivre, a characteristic synonymous with Haydn’s music. Set in my favourite key, this work exudes warmth, colour, and a quite different harmonic and…
Tricky Corners: Smooth Passagework
In my previous Tricky Corners post, I focused on fifth finger leaps within a passage from C P E Bach’s Sonata in A flat, H. 31 (first movement, Un poco allegro); you can read the article, here. Today’s post will continue with this piece, looking, this time, at another caveat which can present serious issues…
Tricky Corners: The Leaping Fifth Finger
September heralds the start of a new academic year and is therefore an appropriate time to begin my new monthly series, ‘Tricky Corners’. Those who read this blog will know that I particularly enjoy developing a student’s technique. This is all about re-training bad habits, transforming them into good ones, which takes time and care….
Melanie Spanswick 