Weekend Competition: Piano Notes 2017-18

PNotes17_18_001_Cover_0812BWM.inddPiano Notes were published last month and offer students and teachers a wealth of practical advice for the entire ABRSM (Associated Board of the Royal Schools of Music examination board) piano syllabus from Grade 1 through to Grade 8, which started in January 2017 and goes through to Spring 2019. The notes include all alternative pieces as well as those printed in each graded book, so they make for a very beneficial and handy guide, irrespective of your standard or ability (and are great to keep by the piano as a reference).

Published by Rhinegold (the leading music education publishers, who also organise the Music and Drama Education Expo Event held in February 2017 at Olympia in London), the notes can be purchased from Rhinegold’s website.

Piano Notes have been written by a team of five writers, all of whom are  experienced teachers; Fiona Lau, Katharine May, Michael Round, Murray McLachlan and myself, and we wrote around 200-350 words on each piece (depending on the grade), detailing the most important elements, advocating various practice tips and performance suggestions.

My contribution was to write notes for all list C pieces from Grades 1 – 6. I was pleased to find a fairly widespread selection of works; from masters such as Kabalevsky, Prokofiev, Shostakovich and Bartók, through to vibrant piano arrangements, and many Contemporary composer’s works too. Although for my taste, there is probably too much emphasis on the ‘jazz’ inspired style, and not enough on Contemporary classical music (which I believe should be introduced to students from the beginning).

I’ve two copies of Piano Notes to give away this weekend, so please leave your comments in the comment box at the end of this post and I will announce the two winners on Sunday evening (British time). Good luck!


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

Piano Notes published by Rhinegold

Rhinegold Piano Notes

Piano Notes are published by Rhinegold Music and produced in conjunction with the Music Teacher Magazine and International Piano Magazine. It’s essentially a guide to assist piano teachers whilst  they prepare students for the ABRSM (Associated Board of the Royal Schools of Music) piano exams; this recently published volume features Grades 1 to 8 of the new 2015/16 syllabus.

This publication contains information on every piano piece for each grade, including all those on the alternative lists, and there are plenty of useful practice ideas on offer. The notes should be helpful for everyone, whether a seasoned teacher, young student or a more mature learner. Each exam piece is given an overview, followed by practice advice, tips and where to obtain the score.

Piano Notes have been written by a whole team of piano writers; Murray McLachlan, Michael Round, Katharine May, Fiona Lau and myself. My contribution consisted of the majority of Grades 1-3 pieces, and I enjoyed the familiarization with the early grades.

www.abrsm.org

Photo: Fiona Lau


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.

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