Japanese concert pianist has already been kind enough to take part in my Classical Conversations Series and you can enjoy the interview here. However, we decided to meet again and chat more about several subjects. In Part 1 of this two part interview which was filmed at Steinway Hall in London, we talk about the best ways to start to learn the piano, focusing on my book, So You Want To Play The Piano?
Noriko Ogawa has achieved considerable renown throughout the world since her success at the 1987 Leeds International Piano Competition. Ogawa’s ‘ravishingly poetic playing’ (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records confirms her as a fine Debussy specialist.
Ogawa appears with all the major European, Japanese and US orchestras. She has been appointed Artist in Residence to Bridgewater Hall in Manchester where she will be Artistic Director for the Reflections on Debussy festival, hosted by BBC Philharmonic and Bridgewater Hall from January-June 2012. With the recent completion of the Debussy series, Ogawa completed recording a new Mozart disc for BIS Records in 2011. With her wonderful dynamic range and colour palate, Ogawa’s particular affinities also range from the works of Takemitsu, through the larger Romantic composers such as Prokofiev and Rachmaninov, to contemporary concerti commissioned from Graham Fitkin and Dai Fujikura.
Ogawa is also renowned as a recitalist and chamber musician. Notable chamber projects include a tour of Japan with the Berlin Philharmonic Wind Ensemble and the leader of the Vienna Philharmonic, Rainer Honeck. In 2001 Ogawa and Kathryn Stott launched their piano duo and have since toured in Japan and given premieres of Graham Fitkin’s double piano concerto Circuit, including the world premiere at Bridgewater Hall. She has also collaborated with Steven Isserlis, Isabelle van Keulen, Martin Roscoe, Michael Collins and Peter Donohoe.
An advocate of commissioning, Ogawa has been involved in numerous premieres. Her current commission is a ground-breaking series of recital pieces from Yoshihiro Kanno which feature the piano alongside various traditional Japanese instruments or sounds; the first for Nambu bell and piano Hikari no Ryushi (A Particle of Light), followed by Mizu no Ryushi (A Particle of Water) for metal chopsticks and piano, Niji no ryushi (A Particle of Rainbow) for piano and Kabuki Orgel and finally Sora no meiro (Sky Maze) for organ and piano.
Alongside performing and recording for BIS, Ogawa is sought-after for presenting, both on the radio and on television, recently appearing on BBC Worldwide in ‘Visionaries’ as an advocate for Takemitsu and in programmes for NHK and Nippon Television. As an adjudicator, she regularly judges the BBC Young Musician of the Year Competition, Honens International Piano Competition and the Scottish International Piano Competition.
In Japan, Ogawa acts as artistic advisor to the MUZA Kawasaki Symphony Hall in her hometown. In 1999, the Japanese Ministry of Education awarded her their Art Prize in recognition of her outstanding contribution to the cultural profile of Japan throughout the world and she has also been awarded the Okura Prize for her outstanding contribution to music in Japan. As a writer, Ogawa has completed her first book (published in Japan) and is currently working on a Japanese translation of Susan Tomes’s book Out of Silence – a pianist’s yearbook.
Ogawa is passionate about charity work, particularly after the earthquake and tsunami which devastated Japan in early 2011. Since the earthquake she has raised over £20,000 for the British Red Cross Japan Tsunami Fund and is keen to keep fundraising, also working with the Japan Society through 2012. Ogawa also founded Jamie’s Concerts a series for autistic children and parents.
Ogawa lives with her partner Philip and their cat Tama. When not practising she enjoys writing and cooking for friends.
Noriko in action…..
For much more information about how to practice piano repertoire, take a look at my two-book piano course, Play it again: PIANO (Schott). Covering a huge array of styles and genres, 49 progressive pieces from approximately Grade 1 – 8 level are featured, with at least two pages of practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.
You can find out more about my other piano publications and compositions here.