Finchcocks Piano Courses 2019

A weekend spent at the splendid Finchcocks manor house is rather like stepping back into the Eighteenth Century. Situated in Goudhurst, in the South East of England, and set in ample grounds, it’s positioned advantageously for panoramic views of the Kent countryside. This elegant Georgian mansion (see photo above), built in 1725, provides the perfect setting for luxury piano courses. Soft furnishings, tastefully muted colour schemes, original flagstone floors, marble and granite fireplaces, elaborate chandeliers, impossibly high ceilings, and wonderfully creaky staircases, allow a glimpse into what life might have been like nearly 300 years ago.

Accommodation on the third floor of the Finchcocks Mansion.

Last weekend marked my second visit to Finchcocks. On this occasion our accommodation was in the main house, whereas previously, we (myself and course participants) had stayed in the Coach House, a separate building to the right of the manor house. Meals are enjoyed altogether in a palatial dining room, with locally sourced food, all prepared and served by a chef. And for those who like a tipple, there is plenty of wine on offer too!

Courses begin on Friday evening at 7.00pm and end at 3.30 – 4.00pm on Sunday with afternoon tea. And they are fairly intensive affairs, so it really is possible to learn a substantial amount in a short space of time. I tutored an intermediate course; approximately Grade 5 – 7 level of the ABRSM examinations. We began on Friday with a duet session – the ideal ice-breaking introduction. I used my own duets and trios (Snapchats Duets & Trios), which are purposefully simple and tuneful, for a stress-free, friendly, and fun opener.

Duets & trios on two pianos in the crypt.

Saturday started at 9.00am with a two-hour technique session, focusing on straight-forward exercises which are helpful for developing flexibility, and alleviating physical tension. The weekend consisted of several class sessions, with participants playing their prepared repertoire, a memorisation session, a sight-reading session, and individual lessons for each course member. On Saturday evening, before dinner, we enjoyed a piano recital given by pianist Alexander Metcalfe, who played a programme of works by Satie, Chopin, Schubert and Liszt.

Built in 1974, with a powerful sonorous bass and a lyrical mid-range, this model 200 Bosendorfer was manufactured in Vienna, with ivory keys and is used for concerts and recitals in the hall.

A particular highlight at Finchcocks is the tantalizing array of pianos on which to practice. There are ten in total, and the majority are housed in the attractive crypt (see photo, above left); here, the pianos are contained in their own segregated area, allowing for private practice. Finchcocks was a musical instrument museum for forty-five years until it was purchased by current owners Neil and Harriet Nichols. The museum housed a variety of keyboard instruments, and therefore it seems fitting that the current collection also showcases an interesting selection of historical instruments.

The ‘flagship’ Steinway Model B, housed in the recital room.

Alexander gave his recital on a Bosendorfer, which is situated in the main hall on the ground floor (photo above, right). Also on the ground floor, there is a new Steinway Model B (photo, left) in the recital room, and a small Broadwood piano in the entrance hall. This instrument (see photo below) was constructed especially for Bertha Broadwood and it was designed to fit into her living room, therefore it is just 5 feet in length (and it’s nicknamed ‘Bertha’!).

Built in 1900 for Bertha Broadwood, chairman of Broadwood at the time, to fit in a space in her front room.

Most of the remaining instruments are in the crypt, and you can click on the gallery images below for more information about each one.

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Course participants brought a variety of prepared repertoire, including works by J.S. Bach (Prelude No 4 from Six Short Preludes), W. A. Mozart (Sonata in G major K. 283), Friedrich Kuhlau (Sonatina in C major Op. 55 No. 1), C.P.E. Bach (Solfeggietto in C minor H. 220), Frédéric Chopin (Prelude in D flat major ‘Raindrop’ Op. 28 No. 15 and Prelude in B minor Op. 28 No. 6), William Gillock (Holiday in Paris), and Richard Rodney Bennett (Rosemary’s Waltz).

Finchcocks hosts piano courses virtually every weekend, and there is certainly something to suit every level with beginner, intermediate, and advanced courses, alongside those for improvisation and even a course for piano teachers. You can choose from a cohort of expert course tutors including Dave Hall, Graham Fitch, Warren Mailley-Smith, Penelope Roskell, and Lucinda Mackworth-Young.

I will be tutoring two further courses this year; an intermediate course from October 4th – 6th and an advanced course from November 15th – 17th. If you are seeking a majestic weekend retreat to hone your piano skills, or you’re returning to the piano after a break, or you simply wish to connect with new piano friends, you will love Finchcocks.


Melanie Spanswick has written and published a wide range of courses, anthologies, examination syllabuses, and text books, including Play it again: PIANO (published by Schott Music). This best-selling graded, progressive piano course contains a large selection of repertoire featuring a huge array of styles and genres, with copious practice tips and suggestions for every piece.

For more information, please visit the publications page, here.


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