A String of Pearls, the female composer and a special competition

Image: Pianist Magazine

It’s always a happy experience when one’s work is published, irrespective of the publication or publisher. But this new volume (pictured to the left) is a really exciting one for me.

In 2017, pianists and teachers Alla Levit and Antonina Lax invited me to write a piano duet for one of their forthcoming UK tours. Alla (who is Russian) and Antonina (from Bulgaria) are the Darina Piano Duo. They had previously enjoyed using my four- and six- hand music (Snapchats Duets & Trios) with their students, and both had commented on the fact that these short pieces were like little ‘jewels’. This observation provided the catalyst for the title of their new piece, A String of Pearls. Antonina describes how our collaboration transpired:

‘I first came across Melanie through one of her articles published by Pianist magazine about 5 years ago. I was impressed by her articulation of the different challenges in piano teaching – it was obvious that the author was an experienced, knowledgeable and competent piano player. I also found out that Melanie had just published the first edition of her book ”So You Want to Play the Piano” (2013). I ordered the book immediately and I must admit that I still think this is one of the best modern guides written in English.

I later found out that Melanie is also a composer when I met her at a concert in London showcasing modern composers’ piano repertoire. Melanie presented her newly published (at that time) selection of piano duets called ”Snapchats”. The music was so fresh and accessible that it became one of my favourite duet selections. I still teach it to my students in one-to-one sessions and even masterclasses.

I asked Melanie to write some music for me and my piano partner Alla Levit (Darina Piano Duo), as we are currently collecting 4-hand piano pieces by modern composers. Melanie was extremely generous and wrote not just one but five pieces which she joined in a wonderful suite called ”A String of Pearls”. This is programme music depicting different pearls, such as the famous Pearl Maxima, Pearl of Lao Tzu and La Peregrina. Melanie’s pieces are story-driven, picturesque musical descriptions of pearls that are also full of character. Darina Piano Duo has now performed the “String of Pearls” suite many times and in different venues across the UK and this music has always been very well received.

It has been a stroke of luck to meet Melanie and we hope to continue our creative collaboration with her so we can perform many more of her beautiful pieces.’

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A String of Pearls consists of five movements, each one depicting a different pearl, reflecting the jewel’s characteristics as well as its corresponding symbolism. The movements are fairly short and could be played by a late intermediate or advanced level student. The music is intended for pianists who particularly enjoy playing expressive and evocative music with a hint of minimalism.

1. Pearl Maxima: One of the largest, most majestic pearls in the world, its captivating colours glimmer and sparkle from cream to gold, with a variety of hues in between.

2. Black Pearls: These beautiful serene jewels originate from the black lip oyster, and are tinged with green, pink, blue,silver and yellow.

3. Cave Pearls: Rushing water dances around limestone caves, polishing each glossy pearl.

4. Pearl of Lao Tzu: Sacred connotations have been linked to this large legendary clam pearl.

5. La Peregrina Pearl: Known as the ‘pilgrim’ or ‘wanderer’, this renowned gem has adorned many a colourful character, from royalty to actors, during its reputed 500-year history.

I was delighted when Schott decided to publish this piece in their renowned Edition Schott series. This series has featured some of the world’s greatest composers, many of whom currently publish or have published exclusively with Schott, including Richard Wagner, Igor Stravinsky, Paul Hindemith, Carl Orff, György Ligeti, Michael Tippett, Krzysztof Penderecki, and Mark-Anthony Turnage. However, there are few female composers featured in the series, and therefore I feel it’s an honour to be amongst such illustrious company. There has been much discussion recently about the lack of female composers, conductors, and, to some degree, writers (and piano professors) too, in the classical music profession. But as this issue is gradually highlighted, so we can hopefully look forward to a future of equality and inclusion.

A String of Pearls was performed beautifully in a series of four concerts over the Summer given by my friends and colleagues pianists Samantha Ward and Maciej Raginia at the International Piano Festival and Summer School PIANO WEEK. They kindly made the following recordings at Rugby School in August. I hope you enjoy them.
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‘Having performed ‘A String of Pearls’ by Melanie Spanswick four times over the summer at our festival PIANO WEEK, Maciej and I found these pieces energetic, contrasting and very rewarding to perform. Each movement evokes a different mood and as a result, they were interesting to learn, proving very popular with audiences both in the UK and Italy.’ Concert pianist and Artistic Director of PIANO WEEK, Samantha Ward
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You can purchase the score in a digital download or print version, here or here.

This week Pianist Magazine have launched a competition on their facebook page (you can find it here) and the prize is a copy of A String of Pearls. To take part, all you need to do is ‘like’ Pianist’s Facebook page, ‘like’ and share the post, and tag a potential duet partner with whom you would like to play the piece. The competition closes on Monday 14th October. Good luck!

10 Women Composers You Have to Know About

www.pianistmagazine.com

www.pianoweek.com

www.en.schott-music.com


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


Piano Workshops and Summer Adventures

I’ve come to the end of a very busy Summer. It has been stimulating and enjoyable on so many levels, and it’s a privilege to travel to interesting parts of the world, meeting and working with different piano students, teachers, music lovers, and (hopefully) spreading the love for the piano.

With fellow faculty members on PIANO WEEK at Moreton Hall. Left to right; Maciej Raginia, Grace Yeo, Vesselina Tchakarova, Madalina Rusu, Mark Nixon, and Samantha Ward.
Image: PIANO WEEK

Music courses, particularly piano courses, are thriving and I’ve written about  them on countless occasions. For teachers, courses can be a great way to connect with both students and fellow teachers, sharing ideas and thoughts about teaching, discovering new repertoire, and discussing various aspects of piano practice and performance.

After nine intense days in Singapore and Malaysia, mainly giving workshops for piano teachers, I spent two weeks on back to back courses serving as a faculty member at PIANO WEEK which is held at Moreton Hall School in Shropshire (UK). This course, lasting seven days, offers piano students comprehensive study with an excellent faculty (usually six or seven tutors: see photo above left).

Working with a student at my composition workshop at the Montecatini Piano Festival
Image: Aisa Ijiri

The next stop on my Summer adventure was to a new festival held in Italy at Montecatini, near Florence in Tuscany. The Montecatini Piano Festival is still in its first year, but has already attracted considerable attention worldwide, with international artists and faculty members, including Hollywood composer and ‘cellist Martin Tillman, pianist and Leeds Piano Competition first-prize winner Sofya Gulyak, concert master and violinist Emanuel Salvador, and the Serbian piano duo, LP Duo.

Organised by Japanese pianist Aisa Ijiri, this festival enjoys an idyllic setting at the Montecatini Terme (or spa, for which the town is famous), and it was a pleasure to work in such surroundings with beautiful Steinway pianos (both PIANO WEEK and the Montecatini Piano Festival are sponsored by Steinway & Sons). At this course and festival, I gave several piano lessons focusing on my music, as well as a new venture for me, a composition workshop for students.

Speaking at the Schott Music Showcase at PIANO WEEK.
Image: Maciej Raginia

Finally, this past week was spent at Rugby School on the last of three PIANO WEEK courses. The course at Moreton Hall consisted of mainly children and teenage students, but Rugby was essentially an all adult course.

A comment reiterated time and again from students, particularly on intensive courses such as PIANO WEEK, is just how much is learnt, digested and, ultimately, improved in a short space of time. Few participants have the luxury of studying with several teachers simultaneously, as well as attending piano seminars, workshops, composition, sight-reading, memorisation, duet classes, and many other musical (as well as non-musical!) activities, which are all included on this course.

My Summer ends this week with two UK workshops. The first takes place on Thursday 29th August at Ackerman’s Music Shop in Hove, near Brighton on the South Coast. I gave a workshop for teachers last year, and in this workshop we will continue exploring flexibility and relaxation in piano technique. The day begins at 10.30am and features several presenters. You can find out more information here.

On Saturday 31st August, Forsyth Music Shop in Manchester will be hosting an afternoon workshop (see image to the right). This is for students and teachers, and I will be continuing with the subject of piano teachnique and flexibility. The afternoon starts at 2.00pm and you can find out more here.

These workshops are both free, and are practically based with plenty auidence participation. I look forward to meeting you.

Participants and faculty members after the final concert at PIANO WEEK held at Rugby School
Image: Maciej Raginia

 


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

PIANO WEEK 2019

It’s always a pleasure highlighting various piano courses, but I particularly enjoy featuring this one. PIANO WEEK has been running for seven years, and since 2018 I have had the good fortune to be a faculty member. It’s a wonderful way to spend a week; you can immerse yourself in piano music and meet many new friends, and that’s just for starters! I invited PIANO WEEK directors, Samantha Ward and Maciej Raginia, to tell us more about this innovative course and piano festival…


If you want to venture away from the ‘tried and tested’ this summer, combine your love of music with travel and new cuisine, read on! The touring aspect of PIANO WEEK and its non-selective character alongside our passion for music, have contributed to creating a steadily growing community of like-minded people, music lovers, concert pianists, authors and world-famous guest artists. We consider ourselves extremely lucky to have established long-lasting collaborations with Steinway & Sons (in the UK, Japan & China) and Schott Music, which have allowed us to enhance the quality resources on offer. With PIANO WEEK growing organically over the last seven years, we have ensured that a feeling of family remained at the heart of our operations and the festival’s ethos. You can still pick up the phone and talk to us directly if you want to know more about what we do or if you need help weighing up your options. If you are intrigued, here is what our participants say about us:

Since its humble beginnings in North Wales in 2013, PIANO WEEK has travelled to Weston Rhyn (UK), Rugby (UK), Foligno (Italy), Sankt Goar (Germany), Tokyo (Japan), Beijing (China) and has welcomed major names in the industry such as Stephen Kovacevich, Leon McCawley, Chenyin Li and David Fung alongside our in-house team of international concert pianists. We are particularly excited this year that Leslie Howard will join us at Weston Rhyn (Moreton Hall School) on Saturday, 3rd August 2019 in a performance of works by Percy Grainger for six hands on two pianos (tickets will soon be available for purchase on www.pianoweek.com/whats-on). All of the festival concerts are free to attend for our residential and non-residential participants and form an integral part of the PIANO WEEK experience.

The course part of PIANO WEEK is packed full of a variety of different classes, with a great emphasis placed on the performance aspect of piano playing. We accept entries from participants of all ages and abilities, with an age range spanning eighty-four years so far, from absolute beginners through children of all levels, to conservatoire students and adult amateur pianists. We pride ourselves on our all-round, holistic approach to learning the piano and apart from a generous amount of one-to-one tuition and master classes on offer, the programme boasts duet lessons, multiple participant performances as well as theory, composition, listening, harmony, sight reading and memorisation classes. There is a lot of fun for all involved too, as well as ample amounts of chocolate on offer!

Our courses for the summer of 2019 include a week in Foligno (Scuola Comunale di Musica) between 14th and 21st July, two weeks in Weston Rhyn between 21st July and 4th August (Moreton Hall School) and a week in Rugby (Rugby School) between 18th and 25th August. For those of you looking further afield, PIANO WEEK returns to Tokyo (Symphony Salon) between 30th April and 5th May 2020. In the meantime, here is our personalised mini guide to what’s going on:

PIANO WEEK Foligno

When: 14 – 21 Jul 2019

Where: Scuola Comunale di Musica

Price: £1345 – £2190

About: A beautiful ancient town in Umbria, nearby the famous vineyards of Montefalco. The music school is situated in the heart of the old town, with restaurants and bars serving delicious local cuisine at fair prices, coupled with generous aperitivi and gelato which we simply cannot resist…!

Find out more:

http://pianoweek.com/scuola-comunale-di-musica-di-foligno-it/

PIANO WEEK Weston Rhyn

When: 21 – 28 Jul 2019 &  28 Jul – 4 Aug 2019

Where: Moreton Hall School

Price: £1290 – £2035

About: Here, you can breathe in fresh air and enjoy the English countryside around the extensive, safe grounds encircling Moreton Hall School. Enjoy a state-of-the-art Steinway D concert grand piano during all of your performances. If you join us in the second week (28 Jul – 4 Aug), Leslie Howard will be closing the festival (and you’ll have your complimentary ticket!)

Find out more:

http://pianoweek.com/moreton-hall-school-uk/

PIANO WEEK Rugby

When: 18 – 25 Aug 2019

Where: Rugby School

Price: £1290 – £2035

About: We have a state-of-the-art music school at our disposal with an impressive fleet of concert grand pianos and ample practice facilities. The atmospheric Memorial Chapel as well as a second concert hall in the music school will be used for faculty and participant concerts. Currently, this residency has attracted mostly adult participants. A limited number of single rooms on campus are available.

Find out more:

http://pianoweek.com/rugby-school-uk/

PIANO WEEK Tokyo

When: 30 Apr – 5 May 2020

Where: Symphony Salon

Price: ¥225000 – ¥325000

About: For those of you who love travelling long distances and value top notch Japanese cuisine, this is an easy choice! In Tokyo, we are offering a non-residential course option only, with all classes and concerts taking place at Symphony Salon’s in-house concert hall. With its perfect location in the equivalent of London’s East End, there is a feel of old Tokyo just around the corner. Fantastic restaurants with fair prices in every direction…

Find out more:

http://pianoweek.com/symphony-salon-tokyo-jp/

You can apply for any of the above courses by visiting the PIANO WEEK home page (www.pianoweek.com); click on the APPLY ONLINE button in the upper right hand corner (of your desktop computer) or APPLY ONLINE at the top of the page (for the mobile version).

If you cannot join PIANO WEEK this year, we would love to welcome you at the following locations in 2020:

PIANO WEEK Foligno: 12 – 19 July 2020

PIANO WEEK Weston Rhyn: 19 – 26 July  &  26 July – 2 August 2020

PIANO WEEK Rugby: 16 – 23 August 2020

PIANO WEEK Tokyo: 30 Apr – 5 May 2020


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

Selecting the piano course for you: 5 top tips

My most recent article for Pianist Magazine’s newsletter focuses on piano courses. Hope you find it of interest.


Piano courses are becoming increasingly popular amongst adults and children learning to play the piano. And to keep abreast of this growing demand, there are significantly more opportunities for this student demographic, with courses for students of all levels, semi-professionals and piano teachers, popping up every year.

My first post offers a few tips for those considering a course, and my second (to be published in Pianist’s next newsletter) will offer suggestions for preparing for such an experience.

  1. When selecting your course, it may be prudent to decide what you would like to achieve. It might be that you want to study with a particular teacher, or perhaps you fancy playing more chamber music or duets with a fellow pianist of a similar standard, or it could be that you need more experience at performing in public. Look for courses with an emphasis on your chosen aspect. Each one will offer something different and unique.
  2. There are piano courses which pride themselves on a really luxurious experience with sumptuous food and beautiful accommodation (although you may pay a premium), whereas others might be held in a school, but offer excellent practice facilities with well-tuned instruments. Offsite B&B accommodation is a prerequisite for some residential courses, which in turn can provide much-needed relaxation and respite from a demanding schedule.
  3. Generally, the larger or longer the course, the more fellow students you will meet. Piano courses can be wonderfully social affairs with the same students returning year after year, forming close friendships. This is the primary reason why adult students stick to the same ones; camaraderie can fuel an optimal study experience.
  4. If you would prefer to be an observer, attending lessons, workshops and classes, but not participating, then this can be a great introduction. Many courses offer this option but always check with the course administrator. ‘Open class’ policies are most helpful for the less experienced student. I encourage my students to attend as many master classes and workshops as they can, because often more can be learnt this way, without nerves and stress intervening; it’s then easier to decide if this course of study is suitable for you.
  5. Some courses are ‘specialist’ with one expert teacher giving master classes for a select group of students (these are usually shorter or weekend courses), whilst others include multiple study options such as theory, aural, composition lessons and sight-reading classes, or the chance to study with more than one faculty member. You may like to take this into consideration, particularly if you are preparing for an examination, diploma or concert performance. For those less confident in their playing ability or skill, there are courses which focus on certain levels; intermediate courses or courses for beginners or elementary players, for example.

The following piano courses are held in the UK and all offer a different experience (they are placed in alphabetical order):

– Benslow Music Courses

– Chetham’s International Summer School and Festival for Pianists

– Finchcocks Music

– Hindhead Piano Course

– Jackdaws Residential Piano Course

– Piano Week

– Summer School for Pianists

Image: Finchcocks Piano Courses


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


PIANO WEEK: What happens on a piano course?

Piano courses are becoming increasingly popular, and it’s not hard to see why. They afford students the opportunity to meet like-minded new friends, enjoy excellent tuition, fine food, and a mini ‘holiday’. If the course happens to be situated in a beautiful place, so much the better.

For the last two weeks I have been on the faculty at PIANO WEEK, an international piano school and music festival all rolled into one. It was my first experience at this event. Pianist Samantha Ward is the Artistic Director and Founder of PIANO WEEK, and her husband (also a pianist), Maciej Raginia, is the Creative Director. Since its inception around five years ago, this course has gone from strength to strength, and is attracting ever larger groups of pianists from all around the world; we were joined by pupils from Taiwan, China, Switzerland, Italy, France, the USA, and the UK.

PIANO WEEK is just that; one week of highly intense piano study punctuated with concerts and lectures. During the first week, participants were predominantly children, and in week two, mostly adults. I was the only faculty member who stayed for both weeks (other than Samantha and Maciej). The course took place at Moreton Hall (pictured below), a large boarding school in Shropshire, just a few miles from the Welsh border. This school is a great place for such an event, being fairly remote and resplendent with wonderful country scenery. The food, which was served in the school canteen, was, rather surprisingly, delicious with plenty of choice. A selection of practice rooms were available for students, with many pianos brought in especially, and the faculty were assigned their own teaching room for the duration of the week.

PIANO WEEK is produced in collaboration with Steinway & Sons, and therefore the concert hall (the Musgrave Theatre) was equipped with the most beautiful Steinway Model D instrument, which complemented the smaller Yamaha grand owned by the school. Two pianos are a great asset, allowing for two piano recitals for students and teachers alike.

Course structure is such that pupils are occupied for most of the day. My timetable was packed, the second week being particularly busy, and I was generally teaching from 9.00am to 6.00pm. The variety of lessons on offer was impressive. I gave many one-to-one and duet lessons as might be expected, but there were also sight-reading and memorization classes, stage presentation classes, as well as theory and listening lessons (Aural), and I gave a lecture for adults on fingering too.

Most enjoyable (for me) were the composition lessons; teaching a small group how to write their own piano piece, with the aim of performing it in a concert at the end of the week. I thought this a tad unrealistic, but several students were really excited about the prospect, and did play their piece in concert by the end of the course.

PIANO WEEK 1 Faculty: from left to right, Yuki Negishi-Friel, Olivia Sham, myself, Annabelle Lawson, Nico de Villiers, Samantha Ward and Maciej Raginia.

Every evening there was a faculty recital. We enjoyed an electic mix of repertoire and superb performances; these concerts were clearly a highlight for the participants. Samantha and Maciej treated us to a two-piano and duet recital during each week, and they kindly performed a movement of one of my compositions as an encore (see the YouTube link below). The ‘star’ performer at the end of week one, was American pianist Stephen Kovacevich, who played as a soloist as well as with Samantha on two-pianos (featuring works by Schubert and Debussy).

One element which marks PIANO WEEK from many other courses are the copious opportunities to perform. There are concerts on most days (with faculty attendance), providing students with several chances to play on the Steinway model D in the theatre, as well as a big recital at the end of the week. Samantha had teamed up with publisher Schott Music (who sponsor PIANO WEEK), to provide ‘Schott Showcases’, where students played pieces from various Schott publications, and Samantha and I gave books presentations afterwards (we are both Schott authors).

PIANO WEEK 2 Faculty: from left to right, Aisa Ijiri, Grace Yeo, Maiko Mori, myself, Warren Mailley-Smith, Niel Du Preez, Mark Nixon, (as well as Samantha Ward and Maciej Raginia).

Students could play their pieces in concerts as many times as they wanted, and it was great to witness their improvement. Performance practice is an important topic for pianists, and the best way to gain confidence is to play the same piece several times to an audience. The standard of playing was varied; several students were almost beginners, yet there were also those who played to an extremely advanced level, including two second year undergraduates from the Royal Birmingham Conservatoire. All rubbed shoulders happily, and there was a genuine sense of camaraderie, with a large cohort of repeat participants each year.

PIANO WEEK is held in several countries including Italy, Germany, Japan and China, as well as the UK. There will be a total of eight residencies from which to choose in 2019. I’m looking forward to returning next year (at Moreton Hall and Rugby School over the Summer).

www.pianoweek.com


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


The Inception and Development of PIANO WEEK

Today’s guest blog post has been written by British pianist Samantha Ward. Samantha is director and founder of PIANO WEEK, the popular piano Summer school and festival which is now offering students of all ages and abilities the chance to study the piano in various locations around the world. I was keen to ask her how she had developed this concept and why it had become the focal point of her musical activities. Over to Samantha….


When Melanie asked me to write a short article about my experiences with International Festival & Summer School PIANO WEEK since its inception in 2013, I very much enjoyed looking back over the last five years of my professional life.  The fast-paced life of forging a career as a concert pianist, author, self-taught entrepreneur, promoter, fund-raiser and strategist, all of which I had to either develop upon or become in order to make this enterprise work, didn’t allow me to reflect much on the past until now.  Since the very first day of the festival, when it poured with rain one Welsh summer’s day of 2013, my mind has been geared towards the future and to how much I can push PIANO WEEK forward.  So why did I do it?!

The idea of creating my own piano festival and summer course by combining top-notch performances from world-renowned artists alongside the younger generation of concert pianists with exceptional, all-round music education accessible to players of any age and ability was born with the realisation that I was really going to have to become my own agent if I was going to form any kind of career as a concert pianist.  Rather than fighting for the same spot on the stage, already too small to hold the big names and the new arrivals, I ventured to create a new concert platform elsewhere.  Five years on, the results are overwhelming.  PIANO WEEK has transformed into a multicultural and hugely diverse community of music lovers, professional and amateur pianists, world-renowned guest artists, outstanding concert pianists, educators and steadily growing international audiences in the UK, Italy, Germany, China, Thailand and Japan.

The buzz of PIANO WEEK is something which you need to experience first hand as no written word can offer a meaningful substitute.  It’s not just a piano course; some of our returning participants dubbed it a ‘holistic affair’ with music.  Our performance-based programme of master classes, one-to-one and duet lessons, composition, sight reading, memorisation, listening and harmony and theory classes interconnects throughout the week with the expert advice given by all faculty members.  As a participant,  you can choose whether to visit our UK base in the English countryside in Shropshire (Weston Rhyn) or to travel further afield to the picturesque Upper Middle Rhine UNESCO World Heritage Site in Germany, sunny Umbria,  or jump on a long-haul flight to Thailand and celebrate Songkran, or China.

I like to think that the development of PIANO WEEK reflects the very essence of music, with no boundaries of age, ability, country or language.  As I am sure every entrepreneur has, I have long dreamed of taking my enterprise global.  With overseas expansion not being the easiest of tasks, it took a lot of determination as well as finding the right partners abroad to make it a reality.  My pianist husband Maciej Raginia came on board as the festival’s creative director when no amount of self-induced lack of sleep was enough to keep things moving! Today, we share responsibility for every aspect of the festival from creating the syllabuses and concert planning to setting up new PIANO WEEK residences abroad.  It’s very much a ‘do-it-yourself’ ethic born out of the decision to forge our own futures as performing artists.

It is wonderful that PIANO WEEK is extremely popular amongst participants. The high rate of those returning every year (or sometimes even twice or three times a year!) is a true testament to the quality of the tuition offered, our expanding faculty of concert pianists and pedagogues as well as concerts given by world-renowned guest artists.  In the last five years, the festival has welcomed Stephen Kovacevich, Leon McCawley, Chenyin Li and David Fung as our guest artists alongside an impressive list of international concert pianists and educators: Alexander Karpeyev (Russia), Annabelle Lawson (UK), Diana Ionescu (Romania), Grace Yeo (South Korea), Madalina Rusu (Romania), Maiko Mori (Japan), Mark Nixon (South Africa), Melanie Spanswick (UK), Nico de Villiers (South Africa), Niel du Preez (South Africa), Olivia Sham (Australia), Roberto Russo (Italy), Sachika Taniyama (Japan), Sam Armstrong (UK), Warren Mailley-Smith (UK), Yuki Negishi (Japan) and Vesselina Tchakarova (Bulgaria).

You can find out much more about PIANO WEEK, here: www.pianoweek.com


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

PIANO WEEK 2018

For the past few years I’ve had the pleasure of observing the inception and subsequent development  of various piano courses, both at home and abroad. There are many such courses available, catering for pianists of all levels and abilities. PIANO WEEK has been at the forefront of these developments, having metamorphosed from a week’s course held in North Wales, to an international festival with an impressive series of international residencies, all within the space of five years. I’m delighted to be joining the PIANO WEEK faculty this year, and am looking forward to participating in two courses at Moreton Hall (in Shropshire, UK), as well as further afield.

For those interested in finding out more about this continually expanding festival and summer school, here are some details.


International Festival & Summer School PIANO WEEK expands further afield in 2018 and welcomes new renowned members of the faculty to cater for the growing demand for piano tuition amongst professional and amateur pianists.

The festival directors are thrilled to announce that the PIANO WEEK team will be joined by Melanie Spanswick (UK), Grace Yeo (South Korea), Olivia Sham (Australia), Madalina Rusu (Romania), Gemma Beeson (UK), Annabelle Lawson (UK) and Nico de Villiers (South Africa). Headed by British concert pianist Samantha Ward (founder and artistic director) and Polish concert pianist Maciej Raginia (creative director), the festival offers high calibre performances from the in-house team of concert artists. It runs alongside the summer course, which is open to participants of any age and ability. In 2018, the festivals travel three times to Weston Rhyn (UK), twice to Beijing (China), as well as courses in Bangkok (Thailand), Sankt Goar (Germany) and Foligno (Italy).

PIANO WEEK’s Summer school forms an intensive programme of master classes, performances and one-to-one lessons, offering participants an opportunity to study with a distinguished international faculty of concert pianists, pedagogues and educators who hail from around the world. PIANO WEEK’s unique locations across Europe and Asia, world-renowned guest artists and inspiring faculty, make it one of the most exciting touring piano festivals today.

SANKT GOAR | GERMANY

5th – 12th August 2018

Taking place in a beautiful 1892 villa on the bank of the Rhine river (pictured to the left), this PIANO WEEK residency offers participants an intimate, boutique summer school experience. Surrounded by vineyards, woods and picturesque vistas, the property creates a spectacular backdrop to an intensive week of music making. You can enjoy the town and its surrounding area, part of the Upper Middle Rhine UNESCO World Heritage Site, either as a residential or non-residential PIANO WEEK participant.

FOLIGNO | ITALY

15th – 22nd July 2018

PIANO WEEK returns to the scenic town of Foligno in Umbria (image to the right) for the second time in 2018 and is open to non-residential participants only. Based at Scuola Comunale di Musica Alessandro Biagini, a beautiful building right in the heart of the old town, this location offers PIANO WEEK participants a chance to immerse themselves in the town’s ancient history alongside intensive coaching, master classes and performances. Foligno is a bustling town filled with restaurants, bars and historical sites, hosting several of the most important festivals in the whole of Italy.

WESTON RHYN | UK

25th March – 1st April 2018
22nd – 29th July 2018
29th July – 5th August 2018

Moreton Hall School (pictured to the left), PIANO WEEK’s UK base of the festival caters for both residential and non-residential participants in rural, peaceful Shropshire. Located near the Welsh border and not far from historic towns such as Shrewsbury and Chester, it is the perfect place to relax and work intensively for a week on your piano playing. Those who stay on campus during the festival can enjoy over 100 acres of beautiful green and safe grounds, a 9-hole golf course, an indoor 25-metre swimming pool, tennis courts and a fitness suite among many other of the School amenities (subject to availability).

BANGKOK | THAILAND

15th – 22nd April 2018

If attending a piano course in Europe is not adventurous enough for you,  this particular location might be the answer. PIANO WEEK visits the Thai capital for the first time in April 2018 and in the run up to the 4th Thailand Steinway Competition. Taking place during Songkran, one of the most colourful and festive times of the year to be experienced in Bangkok, this PIANO WEEK residency promises to be as exotic as it sounds!

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My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.

PIANO WEEK at Rugby School

If you are a regular visitor to piano summer schools but haven’t yet discovered PIANO WEEK, it might be time to explore this rapidly expanding piano course and festival. With seven international residencies during 2017, you will certainly be spoilt for choice.

Established by pianist Samantha Ward, this impressive touring piano festival and summer school moves around the world. Samantha and her pianist husband Maciej Raginia, has designed a bespoke musical performance experience for pianists of all ages and abilities. Here, you can expect to find a five-year old beginner alongside an adult amateur, a professional concert pianist or a world-renowned artist all engaged in music making together – on stage, in public master classes, playing duets or composing.

The concept of a piano festival and summer course without boundaries, whether that be age, ability or location, has generated unique concert platforms, whilst engaging new audiences, as well as offering a confidence boost to all participating pianists.

A tempting choice of venue and country (or continent!) is on offer; Sankt Goar in Germany, Foligno in Italy, Beijing in China or any of three residencies in the UK. These include two at Moreton Hall School and one at Rugby School. The latter, which is UK’s newest addition to the festival, is being held between the 13th and 20th August 2017.

PIANO WEEK at Rugby coincides with the 450th anniversary of the school’s foundation. Based at the well equipped music school, with concerts held in the Memorial Chapel and the Temple Speech Room, this week-long residency offers participants an opportunity to study with distinguished concert pianists in a stimulating environment.

Samantha (Artistic Director) heads the piano team, and will work alongside Maciej (Creative Director), Alexander Karpeyev and Mark Nixon. Apart from daily recitals given by all the faculty members, the closing concert will feature a two piano recital; internationally celebrated pianist Stephen Kovacevich will perform works by Debussy and Rachmaninoff with Samantha, as well as Schubert’s final Sonata D960. It’s Stephen Kovacevich’s third consecutive year performing at the festival, which is a tribute to its cultural wealth and success.

The content of this intensive piano course consists of a long list of individual one-to-one lessons, master classes, duet lessons, listening and harmony, memorisation, composition, theory and sight-reading sessions to name but a few. All this is delivered on excellent instruments with copious practice facilities. For those keen on physical activities, there is a gym, two sports halls, tennis, hockey, netball, squash or badminton (all subject to availability), provided free of charge throughout the duration of the festival. Participants can also benefit from using the 25-meter swimming pool for a small fee.

Whether you live near the school campus or come from further afield, both non-residential and fully catered residential options are available for participants at PIANO WEEK | Rugby. You can apply for your place or buy tickets for all the concerts online.

www.pianoweek.com


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

PIANO WEEK goes to Frankfurt

PrintA profusion of piano courses and festivals can be found in the UK (and many abroad too), therefore enticing young (and older) pianists to part with their money and time to attend such ventures is an increasingly demanding task.

British pianist Samantha Ward has risen to this ambitious challenge with aplomb. She began her piano course, PIANO WEEK, in North Wales in 2013, and since inception, it has swiftly grown. Now an international piano festival and summer school, it is en route to become one of considerable note in the UK, Europe and in Asia.

This year the festival’s profile has evolved into a touring enterprise with international residencies in China, Italy, Germany and two here in the UK. Moreton Hall and Rugby School are both featured in the UK’s roster of events, which boast state-of-the-art facilities. Each PIANO WEEK residency  proffers a different character; from the intimate setting of a 1892 villa on the bank of the picturesque Rhine river in Germany to a  perfect four-day retreat in Umbria. If a rather more urban setting suits your taste, the bustling city of Beijing hosts what will no doubt be a glittering Asian extravaganza.

piano-week-1Places at  PIANO WEEK’s first residency this year in Frankfurt (in Sankt Goar at a beautiful villa (see photo to the left and below), part of the Upper Middle Rhine UNESCO World Heritage Site), are limited, and the deadline for application is the 20th January 2017. The course runs from the 16th – 19th February 2017, and the faculty consists of pianists and pedagogues Samantha Ward (artistic director and founder), Maciej Raginia (Creative Director), and Niel Du Preez.

For those lucky enough to attend, sessions will run throughout the day, including three one-to-one lessons, two opportunities for solo performance, as well as part of a duo, and also a chance to perform your own composition. The week will therefore include a duet lesson, two composition classes, two master classes, a sight reading class, plus a complimentary duet book, allocated practice time (which will be subject to availability) and access to all faculty recitals and master classes.piano-week-2

Concerts will be held in the evenings for both participants and faculty, followed by dinner. There will also be ample opportunity for sight-seeing, with breathtaking scenery, lovely restaurants, and a chance to enjoy the UNESCO World Heritage Site and the famous Lorelei Statue (all very close to the venue).

You can find out much more about the course and book your place by contacting Samantha by either e mail or mobile phone: pianoweek@yahoo.com or 07775 207066

www.pianoweek.com


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

 

 

 

 

 

 

 

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Piano Week 2014

Highlighting piano festivals and summer schools is always a pleasure. Piano Week was launched last year by pianist Samantha Ward. It’s an international festival and summer school for pianists of all ages and abilities which takes place in the beautiful surroundings of North Wales.  Piano Week 2014 is once again being held at Bangor University between 10th and 15th August and it has an international faculty which will give recitals and master classes throughout the week.

Samantha wanted to build a performance platform for pianists from around the world and she chose North Wales partly because it’s where she grew up, and also she wasn’t aware of any venture such as Piano Week taking place in the area previously.  The location is idyllic and in 2013, the festival welcomed participants from all over the UK as well as from America.  The ethos of Piano Week is that it’s open to everyone. All festival participants benefit from one-to-one piano lessons, duet lessons, a master class with a member of the faculty, talks and discussions, classes in listening, theory and composition for children and comparative listening and analysis for adults, a performance in the Schott Music showcase, a demonstration on the ‘inner workings’ of the piano, performance opportunities both as a soloist and in part of a duet and recitals and a cabaret performance given by the faculty.

The Piano Week 2014 faculty hail from all around the globe and are all highly acclaimed concert pianists as well as excellent pedagogues; David Fung (Guest Artist, Australia), Maciej Raginia (Poland), Niel du Preez (South Africa), Sachika Taniyama (Japan), Vesselina Tchakarova (Bulgaria), Alexander Karpeyev (Russia) and piano technician David Daniels (UK).

Piano Week 2014 is being supported by Bluthner who are lending a brand new concert grand piano for the duration of the festival this year.  Pianist magazine included an article about the festival in their recent issue and Schott Music publishers will once again be presenting a showcase at Piano Week 2014.  An interesting and educational week for piano enthusiasts everywhere, if you fancy taking part or just want to find out more information, click here.

 

Sam ward 4

Sam Ward 3

Photos from the 2013 Piano Week


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.