Stars of the Albion Grand Prix 2019

March is one of the busiest months for music adjudicators or music judges. Many British music festivals, and particularly those affiliated to the Federation of Festivals, take place during this time, and therefore adjudicators are buzzing around from one to the next, hearing large quantities of young (and older) players. During this past week I’ve been adjudicating in Bedford, at the Bedfordshire Music Festival (U.K.), and this week I will be in Somerset for the week, enjoying a feast of music at the Highbridge Music Festival, near Bristol.

As an adjudicator for the British and International Federation of Festivals (BIFF), I get to hear a vast number of young and more mature performers. I normally adjudicate the piano classes, but as a generalist adjudicator, it’s not unusual to judge some instrumental classes too. Increasingly, I’m invited to judge competitive festivals which are not affiliated to BIFF. Last Saturday was one such occasion.

The Stars of the Albion Grand Prix is a popular competition organised by founder and executive producer Evgenia Terentieva (pictured to the left). It’s been a great pleasure to be involved with this event for four of its six-year history.

Stars of the Albion is an international performing arts festival & competition. Held annually, it seeks to join talented musicians, dancers, actors and artists from across the world, forming a unique bridge connecting different cultures and in particular, that of Russia and Great Britain. It aims to provide valuable opportunities for young emerging artists to perform, learn, communicate and develop.

The project is organised and promoted by Musica Nova, an International Academy of Music based in London, and a bilingual establishment combining the best of British and Russian teaching principles. It is held under the Patronage of the World Association of Performing Arts (WAPA) and is supported by the Mission of Rossotrudnichestvo Russian Culture Centre in London.

This year’s competition was held from March 1st – 3rd 2019, and it consisted of two rounds; the first was a private video recorded round, and the second was open to the public and held in several venues across London. The final Gala concert took place at the Rudolf Steiner Theatre in central London. This year, Stars of the Albion hosted participants from the United Kingdom, USA, Canada, Israel, Malta, France, Spain, Greece, Saudi Arabia, Hungary, Philippines, India, Bangladesh, Bulgaria, Romania, Ukraine, Latvia, Armenia, Georgia, Kazakhstan and Russia.

Participation is open to artists from six years old, with no age limit, and is divided between five age categories with two participation options; amateur or professional. All styles and genres can be presented for the competition programme. This year the event was held during one of the major Russian traditional festivals called “Maslenitsa”. There were cash prizes for the best performance of music by a Russian composer and for the best vocal performance in Russian language. The adjudication panel comprised a variety of international judges, all known in their field.

I chaired the instrumental jury which was held at Peregrine’s Pianos, situated in Gray’s Inn Road. We totalled four judges; alongside me (from left to right in the photo above) were Rebeka Molly De Gama (U.K.), Snezhana Polshronova Karnolsky (Bulgaria), and Constance An Chi Hsieh (China).  The photo below is a ‘flashback’, or a happy memory of the first time I was on the jury panel at this competition.

Performers were either pianists or violinists, and the categories were all age related. Many of the performances were superb and the overall standard was extremely high.

The selected repertoire, generally a free choice, was mostly standard fare. Whilst it’s always lovely to hear old favourites, for future competitions, I would encourage young players to explore more Contemporary repertoire. Some performers were clearly just beginning their musical journey, and whilst extremely competent and confident, were still in the process of learning to perform, and others were already well established young players; there was also a category for adult amateur musicians too. The overall class winners performed at the final Gala concert.

I really enjoyed working with several jury members because I appreciated the feedback from fellow adjudicators. Whilst we tended to agree on who should win, it’s useful to gain insight into a fellow musician’s thoughts regarding certain aspects of playing and performing. And as I often adjudicate alone, it’s a real pleasure to work closely with others in this respect.

Stars of the Albion Grand Prix provides an important opportunity for young musicians and artists from across the world. All those who took part did so because they valued the chance to be heard and evaluated by a professional jury. Over the past few years, Evgenia Terentieva has organised and developed one of the most vibrant and artistically satisfying competitive events in London for emerging artists, and long may this continue.

www.starsofthealbion.org.uk


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.


 

Musica Nova Stars of the Albion Competition 2016

Stars of the AlbionThe Musica Nova Russian-British Music Academy has been a thriving music education establishment for many years. Situated in London, it was founded by Russian pianist, singer, teacher, composer and educator Evgenia Terentieva, who is also the CEO. Evgenia’s academy offers a broad spectrum of music tuition from instrumental lessons, to one day intensive courses, plus copious performance platforms for students, and taught in both Russian and English.

20160227_122625_resizedThe Academy offers a yearly competition for all age groups with various performance classes, including those for pop, folk, classical music, and dance. The contest, known as Stars of the Albion Maslenitsa, took place on Saturday, and was held at the concert hall of the Mission of Rossotrudnichestvo in Kensington High Street, London. I was fortunate to be invited as a jury member and it was an extremely interesting event. The panel consisted of twelve judges with members from the UK, Italy, France and a selection of Russian speaking countries.

There were three categories, or age groups, which were sub-divided into singers, instrumentalists and ensembles. Starting from the very young (the youngest competitor was five!), through to adult competitors, as well as a professional category. I was surprised by the diversity and breadth of performers, from Russian folk singers, to pop singers, classical singers, musical theatre singers, dancers, and a wonderful group of Russian folklore dancers from Leeds, as well as a collection of instrumentalists. Most of the performers were of Russian speaking origin, although there were a smattering of UK entrants. This is only the third year of the competition, and it is hoped that the event will attract an increasingly international group of participants.

Beautifully presented by Evgenia (pictured above), the large audience mostly consisted of family members and teachers. An important criteria was attire and general presentation, and there were some spectacular costumes and colourful dresses. The general standard was high, with several outstanding performances.

As the afternoon drew to a close, the judges had the difficult task of nominating winners. I have never before been a member of such a large jury panel, having previously worked on my own or with one or two colleagues. Let’s just say it took a long time! Eventually, prizes were awarded and some talented young players have been offered exciting new opportunities. Contests such as this provide the perfect foil for performers to develop and hone their craft, and they also offer a superb occasion to celebrate the many facets of the performing arts.

To find out more about Musica Nova and this competition, click here.


My publications:

For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.

You can find out more about my other piano publications and compositions here.