The latest edition of Pianist Magazine is now available and it’s an ‘all women’ affair. Spotlighting Isata Kanneh-Mason, who appears on the front cover, this issue offers all the usual magazine goodies; ‘how-to-play’ articles by Lucy Parham, Nils Franke and myself, highlighting female composers (Maria Szymanowska, Cécile Chaminade, and Clara Schumann), in-depth masterclasses from Graham Fitch and Mark Tanner, a Piano Teacher Help Desk written by Kathryn Page, a Playing by Ear article from John Geraghty, and articles on female pianists and composers by Jessica Duchen, Peter Quantrill and Inge Kjemtrup.
There’s also a fascinating feature on Clara Schumann by concert pianist Lucy Parham, who is currently touring with her new composer portrait programme I, Clara, which celebrates the 200th anniversary of the birth of Clara Wieck Schumann. The narrative of I, Clara, drawn from letters and diaries, is interspersed with live performances of Clara’s works, and of music by Robert Schumann, Brahms, Liszt, Mendelssohn, and Chopin. The narrator is the acclaimed actress, Dame Harriet Walter. Lucy and Dame Harriet have just released a CD to accompany the tour, and you can find out more about it, here. And you can enjoy a preview of I, Clara by clicking on the link below:
Pianist magazine always contains at least forty pages of sheet music as well as an accompanying CD, all performed and recorded by house pianist Chenyin Li. In this edition, the lion’s share of the sheet music is devoted to female composers, including a charming Mazurka in C by Maria Szymanowska, Bagatelle No. 2 by Fanny Mendelssohn Hensel, No. 1 from 25 Easy Etudes Op. 50 by Louise Farrenc, Tarentelle Op. 123 No. 10 by Cécile Chaminade, Polka Op. 36 No. 5 by Amy Beach, Méditation by Mel Bonis, and Romance Op. 11 No. 1 by Clara Schumann. I feel most honoured to have one of my educational piano pieces, Kaleidoscope, included amongst this collection.
I wrote Kaleidoscope in a couple of hours on a rainy Thursday afternoon. Set in one of my favourite keys, F minor, it’s an intermediate level piece (intended for pianists of around Grade 5 ABRSM standard), and it contains a wistful melody and accompaniment, which blossoms out into cascading semiquaver passages, with plenty of movement around the keyboard, ideal for showcasing virtuosity. Kaleidoscope has been beautifully recorded by Chenyin Li, and you can hear it by clicking the following link:
If you don’t already subscribe to Pianist, you can do so here.
For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.
You can find out more about my other piano publications and compositions here.