My most recent article for Pianist Magazine’s newsletter features the art of stage presentation. This often forgotten topic is rarely highlighted, yet it plays a significant role in every performance. This is the second of two articles on this subject, and you can read the first one, here.
In my previous article on stage presentation, I discussed how to foster the necessary ‘thought-process’ required for performing, as well as the importance of repertoire selection, and attire on stage. Today, the discussion turns to the actual act of going on stage itself. How we might traverse the concert platform in order to capture and keep our audience’s attention.
1. When we walk to the piano to play our concert, how we approach the instrument might indicate our level of anxiety. If you can cultivate an assured sense of confidence before the concert begins, you will instigate that same confidence in your audience, and they, in turn, will relax and start to enjoy your presentation right from the outset. You don’t need to stride – but rather stroll purposefully and with a certain conviction and realisation of the occasion.
2. Perfecting the bowing technique. A pianist must show gratitude to their audience, and this involves bowing conscientiously and with grace. This element will be highly visible to your audience, so aim to take time to bow with dignity and appreciation. It is probably a good idea to smile before you commence playing too, and try to appear relaxed and in no hurry to start.
3. How we sit at the piano will determine our comfort level. Take your time to adjust the stool, ensuring the correct height. Rest your feet on the pedals, making sure you can play them easily, and relax your shoulders; if you can rest your hands on the keyboard whilst keeping your shoulders relaxed, then you have probably found the perfect height for your stool.
4. Take a few moments to ‘breathe’ before you start. This might make the difference between a smooth, rhythmical opening to one with a few unexpected errors. Try not to rush into your piece; it can help to focus for at least ten seconds, and then, in order to establish the correct tempo, count a couple of bars (in your head) at the desired speed before you start to play. If you can do this, you will be able to exude polish and control.
5. Some pianists tend to move too much at the keyboard. There must be a certain level of movement in hands, wrists and arms when playing, to help with flexibility and comfort when circumnavigating copious note patterns. However, it isn’t strictly necessary to move the whole body as this can prove a distraction to your audience. Aim to keep movement to a minimum and try to minimise facial expressions too!
At the end of your performance, remember to acknowledge your audience. If you can learn to enjoy performing, this will bode well for all future endeavours and the improvement of your piano playing as a whole.
For much more information about how to practice piano repertoire, take a look at my piano course, Play it again: PIANO (published by Schott Music). Covering a huge array of styles and genres, the course features a large collection of progressive, graded piano repertoire from approximately Grade 1 to advanced diploma level, with copious practice tips for every piece. A convenient and beneficial course for students of any age, with or without a teacher, and it can also be used alongside piano examination syllabuses too.
You can find out more about my other piano publications and compositions here.