Sight Reading; 6 helpful hints

I have had several requests to write an article on piano sight reading. Sight reading is certainly a hot topic amongst those taking music exams, and it simply means the ability to play a piece of music on reading it for the first time, or reading at sight.

It’s the part of music exams that many students find a challenge, but it is possible to learn how to do it. I certainly did. I wasn’t the best sight-reader but I found that by working at it diligently everyday, it did eventually improve.

Here are a few points to bear in mind when practising;

1. It’s really important to start off by looking at the piece of music carefully and observe:

i. The key signature, and then mentally imagine all the sharps or flats that you will need to play in the extract.

ii. The speed of the piece; look for the metronome mark or speed indication.

iii. Note patterns; notice features such as chords, arpeggio figures, scale passages, and then, finally, features like phrase markings, articulation and dynamics.

2. Once you have spent a good 30 seconds to 1 minute observing you could always play the extract through separate hands first. It’s a good way to start learning how to read and find the notes.

3. Pay special attention to the suggested fingering; you need to have it planned in your head before you start especially when negotiating scale or arpeggio passages and contrapuntal sections.

4. One particularly effective element in piano sight reading is to tap the rhythm of both hands at the same time. The left hand tapping the bass line and the right hand tapping the treble line. I find students respond to this very well and then have a firm grasp of the rhythm before they start.

This also establishes the pulse. You must develop a firm grasp of the pulse or beat so it is embedded in your mind and fingers before you start, and this needs to continue whilst you are playing; I clap loudly to keep pupils in time as they play.

5. The crucial factor when learning to sight-read, is to play everything extremely slowly. Painfully slowly in fact, so that you are able to take in all the details and combine both hands together fluently. If you are unable to do this then you are not playing slowly enough.

If you keep playing different extracts through at a snail’s pace, preferably for a few weeks or even months, then you will find your reading eventually improves and you are able to take the tempi increasingly faster.

6. The final factor in determining good sight reading is to keep playing whatever. You will not pass the sight reading element of an exam if you stop in the middle of the extract. Therefore, you need to develop a feeling for keeping going and ignoring all your mistakes. We all make them especially when sight reading, but you just need to forget them and carry on. It’s a good idea to force your eyes to read ahead as this will also continue your momentum and help you to keep going.

There are plenty of excellent sight reading books and study aids on the market today and I will look at what is available in more detail in a future blog post. Good Luck!


Melanie Spanswick has written and published a wide range of courses, anthologies, examination syllabuses, and text books, including Play it again: PIANO (published by Schott Music). This best-selling graded, progressive piano course contains a large selection of repertoire featuring a huge array of styles and genres, with copious practice tips and suggestions for every piece.

For more information, please visit the publications page, here.


11 Comments Add yours

  1. pomprint says:

    An excellent post Mel, and much needed too. I will try to follow these ideas myself.

  2. Thanks Steve – so glad you liked it – hope it’s useful! 🙂

    1. pomprint says:

      Will let you know when I get my results!! 😉

  3. Erich says:

    I will do my best to develop my sight reading. I really like your hints. Thanks for sharing it with us.

    1. Pleasure Erich, so glad you found my comments useful.

  4. A B says:

    Excellent advice indeed! Talking about “play slowly” and “keep playing whatever” try our innovative method which trains the brain and the eye to achieve CONTINUITY, there is no going back, stumbles are eliminated and fluency is quickly achieved! Teachers and students love it.

    Look on our website (we will have a new one in a few weeks) The product is called “SightRead4″ apps for iPad which are available in the Apple App Store. Instruments: piano, violin, viola, cello, double bass and guitar. More apps will be available soon.

    We would love to hear what you think. Please leave a comment on

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  5. Efrat says:

    Great tips, ill definitely use them. I wanted to ask for a piece of advice- I have a problem with finding scores, because in Israel, where i live, there aren’t many places for buying notes, and most of them are really expensive. So, I usually look for free scores on the internet, but i don’t allways find what i want- especially less known pieces. Also, many times the editions aren’t so good as well. Maybe you’ll have a solution for me:)
    P.S: are you familiar with the Israeli composer Gil Shohat?

    1. Hi Efrat, So glad you liked my post and found it useful. I hadn’t heard of Gil Shohat, but I have now! Just looked him up and he appears to be very active both as a composer and conductor. Thank you for highlighting him.

      I presume you don’t have access to a library? Or music library within a university? I used local libraries all the time when I was young. Ebay do sell lots of second hand scores very cheaply and there are many free scores on the internet as you have already pointed out. Perhaps link up with other keen players where you live? Find them online and exchange/discuss scores? I live in the UK where we have access to everything really so I have no idea about your set-up, however, I do hope you can find away to find more unusual works. Thank you again for reading my blog 🙂

      1. Efrat says:

        Thank you for answering so fast, will try some of the suggestions:)

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